WIlliam Parker -

When There Is No Sun: An Eclipse Playlist

Published 8 April, 2024 By John Chacona

You might have heard about a certain celestial phenomenon occurring today. Cleveland, where I live, is in the path of full totality and hundreds of thousands of astronomical tourists are expected to arrive for the show. But what’s a show without music, right? So herewith a playlist of eclipse-themed music to entertain you while you’re searching for your polarized glasses.

P.S. If you were expecting a Sp*tify playlist, know that there might not be an artist here who will qualify for mini-micro-nanopayments under the company’s new compensation structure. Sp*tify can go where the sun don’t shine.

Comments closed

Countdown: Where To Go & What To Hear In NEO March 14-20

Published 14 March, 2024 By John Chacona

*Jonah Parzen-Johnson, photocredit: Lisa Hagen Glynn*

Friendly experiencers,

Have the hints of summer earlier this week stirred you to come out of hibernation? If so, you’ve picked a good week to do so with a variety of musical styles to choose from. Your sense of tradition will be sated by a reappraisal of a beloved musical chestnut while a sense of adventure will rewarded by a paint-peeling excursion to the outer reaches by a young saxophone sensation. Get ready for the ride and remember to tip your servers.

Comments closed

Culmination: A Massive New Book Honors The Centenary of Sam Rivers

Published 21 September, 2023 By John Chacona

Monday, September 25, 2023, marks the centennial of Sam Rivers’ birth. Rivers was a composer, improvisor, theoretician, scenemaker mentor and instrumentalist of Promethean stature. It’s hard to think of anyone quite like him. So it’s appropriate that his centennial is commemorated by “The Sam Rivers Sessionography,” a new book by Rick Lopez that rivals Rivers in its panoptical audacity.

Comments closed

Reunion: Steve Swell and the Frode Gjerstad Trio from Norway Reconvene at Beachland

Published 16 November, 2022 By John Chacona

With its wide dynamic range, speech-like articulation and capacity for playing off-the-scale notes, the saxophone would seem to be the perfect instrument for creative improvised music (some people call it “free jazz” or “avant-garde jazz” or “fire music”). Fine, but anything the saxophone can do, the trombone can do better. So why don’t we hear more trombones in creative music—or in mainstream jazz, for that matter?

It’s a question that Steve Swell, the trombonist who will appear at the Beachland Ballroom Sunday with saxophonist Frode Gjerstad, Jon Rune Strøm on bass and drummer Paal Nilssen-Love, has pondered for a long time.

Comments closed