Pianist Tamir Hendelman’s gifts as an accompanist have led to recording projects by some of the most iconic soloists of our time: Natalie Cole, Gladys Knight, Sir Paul McCartney and Barbra Streisand among them. Yet his Sunday’s concert at Bop Stop Sunday will present him with the challenge of accompanying a different sort of soloist: himself.
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Saxophonist Jim Snidero was born in May, but a January birthdate would have provided an appropriate mythological backstory for his career. Like the two-faced god who gave the month its name, Snidero’s alto saxophone style looks forward and backward simultaneously.
Perhaps that is inevitable for the native of the Maryland suburbs who, at 65, has aged out of young-lion status but is a long way from being considered a wizened master. When he returns to the Bop Stop Saturday, Snidero will demonstrate how a mastery born of more than 40 years on the scene can be endlessly refreshed by restless musical curiosity.
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Tribute concerts, for better or worse, are an established marketing hook for jazz presenters and an evergreen source of inspiration for musicians. The honors tend to cluster around past masters, and the bigger the name the batter. Living musicians who can actually appreciate the tribute aren’t often feted and even less often asked to play, but a tribute concert where the honoree is a sideman? Never happens.
Yet when bassist Aidan Plank’s octet takes the Bop Stop stage Thursday to present a program of music by Carmen Castaldi, the man of the hour will be seated where he can usually be found: behind the trap set.
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To be an improvising musician at the highest level means being ready for anything that might happen. Still, nothing could have prepared violinist David Balakrishnan for the call he received in February 2020.
It’s just an amazing story,” said Balakrishnan, 68,the founder and first violinist of the Turtle Island Quartet, the rare string quartet expert in improvisation. “I got a call from a friend of mine who worked for a booking agency. He said, ‘Do you want to record with Terence Blanchard in two weeks?’”
If you’ve heard Blanchard’s double-Grammy-nominated Blue Note release Absence, you already know how Balakrishnan answered. And if you want to hear how that music sounds live, you’ll have a rare opportunity to do so when Blanchard and his five-piece E-Collective ensemble and the Turtle Island Quartet visit Tri-C Saturday evening to perform music from Absence.
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My friends in the “jazz is dead” camp often pose two rhetorical questions in defense of their position: Who will want to listen? and Who will want to play this music?
The answer to the first is unknowable, but the second question will be answered in the most unequivocal way Saturday when NYO Jazz makes Tri-C’s Metropolitan Campus Auditorium the first stop on its inaugural U.S. tour.
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