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Tag: John Hébert

Magic In The Air: Marco Benevento Road-Dogs It Back To The Beachland

Published 7 March, 2023 By John Chacona
Marco Benevento
photo credit: Seth Olenick

Marco Benevento is a workaholic. The playful, keyboardist who gleefully straddles the worlds of jam-band euphoria, jazzy, improvisatory exploration and nerdy gadget geekery might not fit the image of the jittery, Type-A striver but just listen to the man himself.

“I’m a very productive person,” he said by phone last month from his home in Woodstock, New York and one listen to his latest release, Marco Benevento (Royal Potato Factory, 2022), proves his point. Benevento composed all the music and played all the instruments except for some occasional added percussion and the vocals, aside from cameos by his wife and children are all Benevento’s.

But as much as studio wonkery appeals to the 45-year-old New Jersey native (and more about that later), he’s a road dog at heart who will return to a favorite venue, the Beachland Ballroom and Tavern March 14 on a double bill with labelmates Mike Dillon and Punkadelic.

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Roll Call, August 19: Kyle Kidd, Russ Lossing, Pablo Moser and Nicolás Ojeda

Published 19 August, 2022 By John Chacona

I get a lot of music for my consideration, more than 430 (!) new releases in 2022. Almost all of them are notable for something, and I’d like to give them their due. So, when I’m not previewing events in northeast Ohio or profiling regional musicians, I’ll offer hot takes on recent releases.

When I moved to Cleveland in late 2019, one of the bands I most wanted to hear was the Afrofuturist collective Mourning [A] BLKstar. You can probably guess why that remains on my to-do list nearly three years and several COVID subvariants later, but it’s taken on new urgency with the release of Soothsayer  (American Dreams Records), the spellbinding solo debut of M[A]B vocalist Kyle Kidd (all pronouns).

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Andy Milne & Unison Offer a Perfect Way To End Cleveland’s Perfect Jazz Weekend

Published 23 June, 2022 By John Chacona

Andy Milne and Unison

Everywhere you look, there are signs that the local jazz scene might again look like the one that went on leave in March, 2020. Reading the tea leaves, the return of the Tri-C Jazz Fest to Playhouse Square is huge tell. That tentpole event needs no introduction from me, just a hope that you’ll go and enjoy the great music on offer.

But there’s one more jazz event you should make room for this weekend. It’s the return to Cleveland’s Bop Stop of pianist Andy Milne and his Unison trio for a welcome if long-overdue tour to support his latest recording The reMission (you can read my review of that record here).

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Roll Call: January 14, 2022

Published 10 January, 2022 By John Chacona
Roll Call: January 14, 2022Roll Call

I get a lot of music for my consideration, already more than 80 new releases in 2022. Almost all of them are notable for something, and I’d like to give them their due. So, when I’m not previewing live events in Northeast Ohio (like now when there aren’t too many of those), I’ll offer hot takes on the week’s new releases.

For a certain subset of the jazz fandom multiverse, a simple personnel list would be sufficient to arouse intense interest in John Hébert’s “Sounds of Love” (Sunnyside Records).

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