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Tag: jazz CD reviews

Yo NYO! Carnegie Hall’s Young Jazz Orchestra Begins Its First U.S. Tour at Tri-C

NYO 2022
NYO Jazz 2021 with Sean Jones

My friends in the “jazz is dead” camp often pose two rhetorical questions in defense of their position:  Who will want to listen? and Who will want to play this music?

The answer to the first is unknowable, but the second question will be answered in the most unequivocal way Saturday when NYO Jazz makes Tri-C’s Metropolitan Campus Auditorium the first stop on its inaugural U.S. tour.

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Andy Milne & Unison Offer a Perfect Way To End Cleveland’s Perfect Jazz Weekend

Andy Milne and Unison

Everywhere you look, there are signs that the local jazz scene might again look like the one that went on leave in March, 2020. Reading the tea leaves, the return of the Tri-C Jazz Fest to Playhouse Square is huge tell. That tentpole event needs no introduction from me, just a hope that you’ll go and enjoy the great music on offer.

But there’s one more jazz event you should make room for this weekend. It’s the return to Cleveland’s Bop Stop of pianist Andy Milne and his Unison trio for a welcome if long-overdue tour to support his latest recording The reMission (you can read my review of that record here).

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Roll Call, June 19: Dmitri Matheny, Bill Ortiz, Grant Stewart and Melissa Stylianou

I get a lot of music for my consideration, already 350 (!) new releases so far this year. Almost all of them are notable for something, and I’d like to give them their due. So, when I’m not previewing live events in Northeast Ohio, I’ll offer hot takes on the preceding week’s releases. Like these.

Portland is known for rain, artisanal coffee and thanks to Fred Armisen and Carrie Brownstein, as the apotheosis of farm-to-table Millennial pretentiousness.

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Roll Call: March 8, 2022

I get a lot of music for my consideration, already more than 160 new releases in 2022. Almost all of them are notable for something, and I’d like to give them their due. So, when I’m not previewing live events in Northeast Ohio, I’ll offer hot takes on recent releases. Like these.

Anniversaries and theme celebrations generally make writers groan, but editors love them. At let’s call this, I wear both hats, and this week I’ll give my editor side the benefit of the doubt. Thus today’s Women’s History Month roundup of notable new releases by women. There’s more than a common editorial conceit behind the post; these four recordings are outstanding by any measure and make a strong case for the increasing and long overdue prominence of women who play, write for and lead bands at the forefront of improvised music in the Black American tradition.

Julieta Eugenio JUMP cover

Looking at the cover photo for JUMP (Greenleaf Music), you might be forgiven for mistaking tenor saxophonist Julieta Eugenio for a teenager, but she is no kid. 

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