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Tag: Howie Smith

Countdown: Where To Go & What To Hear In NEO, Dec. 14-21

This is the time of year when the live music scene cools a bit, but gentle readers of let’s call this, let nothing you dismay. A sleighful of holiday shows by some of Northeast Ohio brightest vocalists more than picks up the slack. Even if you feel a little Scrooge-y about seasonal favorites, our quartet of singers are here to offer you a cookie tray of holiday treats both salty and sweet. So dig in, dig?

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Countdown: What To Do, Where To Go & What To Hear, Oct. 26 – Nov. 1

Bryan Kennard

When this writer worked in the hospitality industry, we had a name for Halloween: Amateur Night. Normally this would serve as a warning to pursue domestic entertainments until it’s safe to go out again. But what if “going out” is more treat than trick? This week’s candy necklace of events will test that notion with a variety of fun-size gigs and not a kernel of candy corn among them (though the late Carla Bley’s “King Korn” would be great addition to a spooky setlist).

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Cabaret Crooner or Jazz Singer? Dane Vannatter Is A Man of Two Worlds

from left: Joe Hunter, Bryan Thomas, Dane Vannatter and Ricky Exton

The legendary Patti LaBelle has been on stages large and small since Dwight Eisenhower was in the White House. As a performer, she’s done it all and seen it all, but she couldn’t have expected what happened at her 2015 performance at the Ohio State Fair in 2015.

“She called a group of guys [on stage] as a thing in her show,” Dane Vannatter wrote me in an exchange yesterday. “She asks them to sing, they can’t, and the audience laughs when she says, ‘Well then dance!’”

Vannatter was one of those guys, but when he opened his mouth to sing, the great soul diva fell silent. She couldn’t have known that Vannatter had been on a few stages himself, and when she gathered herself to address her unexpected guest, all she could say was, “You better sing, fool! My God!”

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New Composers Collective Lays Down the Law at Bop Stop

Third Law CollectiveWhat’s the second-most exciting day in a composer’s life? The day of the first performance of a new piece, of course. So, what’s the most exciting day? The day of the second performance. World premieres are exciting, but many compositions are heard once and then disappear. A second performance confers a bit of staying power.

This is especially true in the concert music world, but composers of creative music in the Black American tradition face many of the same challenges in bringing their work to the stage. Enter The Third Law Collective, a gathering of local composer/players whose project to present and support new composition in northeast Ohio gets underway Jan. 26 at Bop Stop.

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Dan Weiss’ Trio Made One Of The Year’s Best Recordings. Hear Them At Bop Stop Sunday

(from left) Thomas Morgan, Jacob Sacks, Dan Weiss

Dan Weiss talks a lot like he plays the drums. When I spoke with him about his Sunday concert at Bop Stop, his answers to my interview questions were short. To the point. Nothing wasted. Next question?

Yet forward momentum, essential for any drummer, is just one part of his game. Color, an original voice as a composer and a keen ear for texture are in there. They’re all present on Dedication (Cygnus Records), the stunning new release by Weiss’ longstanding trio with pianist Jacob Sacks and bassist Thomas Morgan.

Given his many musical associations with artists as diverse as the saxophonists Jon Irabagon and Lee Konitz, pianist Sylvie Courvoisier and vocalist/multi-instrumentalist Jen Shyu, it’s kind of amazing that he’s only appeared in Cleveland twice. The trio played Bop Stop in November 2019, and 19 months earlier he was at the Hingetown club with saxophonist Chris Potter band.

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