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Tag: Allan Mednard

Roll Call: April 8, 2022

I get a lot of music for my consideration, already more than 220 new releases so far this year. Almost all of them are notable for something, and I’d like to give them their due. So, when I’m not previewing live events in Northeast Ohio, I’ll offer hot takes on recent releases. Like these.

TheYuval Amichai - My 90s Summer - cover title cut from Yuval Amihai‘s My 90s Summer (Fresh Sound Records) begins with the leader’s warm-toned guitar over dewdrop Rhodes and a head-nodding backbeat rhythm. Where have I heard this before?

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Roll Call: March 8, 2022

I get a lot of music for my consideration, already more than 160 new releases in 2022. Almost all of them are notable for something, and I’d like to give them their due. So, when I’m not previewing live events in Northeast Ohio, I’ll offer hot takes on recent releases. Like these.

Anniversaries and theme celebrations generally make writers groan, but editors love them. At let’s call this, I wear both hats, and this week I’ll give my editor side the benefit of the doubt. Thus today’s Women’s History Month roundup of notable new releases by women. There’s more than a common editorial conceit behind the post; these four recordings are outstanding by any measure and make a strong case for the increasing and long overdue prominence of women who play, write for and lead bands at the forefront of improvised music in the Black American tradition.

Julieta Eugenio JUMP cover

Looking at the cover photo for JUMP (Greenleaf Music), you might be forgiven for mistaking tenor saxophonist Julieta Eugenio for a teenager, but she is no kid. 

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Roll Call: September 3, 2021

I get a lot of new music for my consideration, 407 releases so far this year. Almost all of them are notable for something, and I’d like to give them their due. So, every week, more or less, I’ll offer hot takes on the releases of the preceding seven days. The week of August 28 was so busy–15 new releases–that I spread it out over two posts, and two weeks. Now I’m effectively a week behind with more delays probably on the way as a big review of Cleveland’s Tri-C festival will occupy my time next week. For now, though, savor what was a very strong week for creative music.

Pianist Rachel Eckroth got her start playing with and writing for large jazz ensembles, but lately, the LA-based musician has added color and texture to music by genre-agnostic artists such as Rufus Wainwright, St. Vincent and KT Tunstall.

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Roll Call: 27 August, 2021, part 2

I get a lot of music for my consideration, 398 releases so far this year. Almost all of them are notable for something, and I’d like to give them their due. So, every week, more or less, I’ll offer hot takes on the releases of the preceding seven days. Last week was so busy–15 new releases–that I spread it out over two posts, and two weeks. Where this leaves this week’s 12 (!) new releases is anyone’s guess. I’m not complaining; this has been a very rewarding week of listening.

Jazz musicians interrogating life’s biggest questions is nothing new, but I can’t recall anything quite like  “Portals, Volume 1 – Mourning” (Sunnyside Records). Then again, its composer Caroline Davis isn’t quite like any other jazz musician.

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