When Chuck Owen rolls into Northeast Ohio this week for gigs at BOP STOP and BLU Jazz+, he brings a variegated book of original compositions and a heady reputation as a bag-band arranger with him. What he won’t bring on this visit is his 18-piece big band, the Jazz Surge.
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When this writer worked in the hospitality industry, we had a name for Halloween: Amateur Night. Normally this would serve as a warning to pursue domestic entertainments until it’s safe to go out again. But what if “going out” is more treat than trick? This week’s candy necklace of events will test that notion with a variety of fun-size gigs and not a kernel of candy corn among them (though the late Carla Bley’s “King Korn” would be great addition to a spooky setlist).
Comments closedIn today’s youth-obsessed musical culture, where Tik-Tokers can become overnight stars, it’s comforting to know that jazz, at least, offers a haven for older creators. For proof, look no further than to British saxophonist Trevor Watts who will conclude a busy month of New Ghosts concerts Monday in a duo with his longtime percussion partner Jamie Harris at Waterloo Arts Café.
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