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Tag: Duke Ellington

Sign O’ The Times: Mary Lou Williams’ ‘Zodiac Suite’ Rises In Akron

Mary Lou Williams, Theron Brown

It wouldn’t be inaccurate to call pianist, composer and bandleader Mary Lou Williams the Zelig of jazz. At every crucial turn of the music’s early history, she was on the scene writing, playing and teaching many of the most pivotal figures in mid-century jazz Yet the spotlight always evaded her.

No more. The recent efforts of the jazz establishment to recognize the achievements of women yield new and long-overdue revelations of her multi-valent genius, not just in the jazz capitals of the world, but in Northeast Ohio, too. Pianist Theron Brown and the Akron Symphony Orchestra under the baton of Christopher Wilkins add to the momentum Saturday with a concert presentation of five movements from Williams’ “Zodiac Suite.”

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Countdown: Your Guide To Jazz in NEO, Sept. 20-26

Veronica Swift

Attention Swifties: ya girl is coming to Cleveland tonight. No, it’s not a previously unannounced stop on the Eras Tour, but you wouldn’t expect to find that kind of scoop in this column, would you? The Swift in question is Veronica, who kicks off a late-September clambake of jazz and adjacent musical revelry this week, one that could launch a million crossover dreams.

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Bounceback: Akron’s Rubber City Jazz & Blues Festival Is Back In A Big Way

It could just be a case of wishful thinking, but the terrific things I’m hearing about this past weekend’s inaugural Hingetown Jazz Festival show what can happen when top-flight musicians, welcoming venues and tireless, community-minded organizers come together to meet audiences where they are. Who wouldn’t be stoked for the future?

And you won’t have to wait to get a glimpse of what that future might look like, because this weekend brings Akron’s annual Rubber City Jazz and Blues Festival Sept. 7-9.

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At Severance, Julian Davis Reid Examines Both Sides of The American Dream

Julian Davis Reid

Like many Black musicians, pianist, bandleader and theologian Julian Davis Reid paid close attention to poet and essayist Amiri Baraka’s 1963 book “Blues People: Negro Music in White America.” Reid was particularly taken with, as he told me, “this idea that Black music is a place where people in this country, Black and otherwise, rest. But at the same time, the music emerges from our sense of homelessness, of not feeling welcomed.”

Baraka was a man of action as well as of ideas, and Reid, a graduate of Yale Divinity School, took his words as a call that Reid answered in words and music with “The American Dream, the American Nightmare, and Black American Music,” which he will present Thursday at 7:30 p.m. in Reinberger Chamber Hall at Severance Music Center. as part of the Cleveland Orchestra’s weeklong Mandel Opera & Humanities Festival: The American Dream.

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Play Like Where Your From: The University of Akron’s JazzFest Is Back

For a long time, jazz education was an oral tradition. Students learned at the feet of their master or in the adjacent chair in a section of a big band, a lineage that you could witness as well as hear. These days, that formerly oral tradition has largely moved to the university or conservatory classroom but the professionalism of jazz education hasn’t totally done away with the notion of lineage.

Sean Jones
Sean Jones

This week offers vivid proof in the form of the University of Akron Jazz Week an event that brings together three UA alumni, two of whom, Theron Brown and Chris Coles, are now teaching at their alma mater, with internationally prominent trumpet player and Warren Ohio native Sean Jones.

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