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John Chacona writes Posts

Horns and Things Is A Cleveland Musical Tradition

Horns And Things
(clockwise from top left) Ken LeeGrand, JT Lynch, Derrick James, Ray Harvin, Sakait Baksar

At the summit meeting of Cleveland saxophonists convened this past summer at the Tri-C JazzFest, Ernie Krivda, Ken LeeGrand and Howie Smith were to take center stage in a round robin. But host Dominick Farinacci announced that LeeGrand would play his featured material first. “He has to get to a gig in Fairlawn at 3,” Farinacci explained. It was shortly after 2 p.m.

I was there and reviewed the concert for All About Jazz (you can read it here), so when I spoke with LeeGrand earlier this month, I had to ask him if he made it. “Yes I did. I got there–it was probably, like, 3:07, and the guys that I had assembled to do that [gig] knew what was going on, so they had already started. I didn’t even take the reeds off the horns. I left my reeds on. So when I got there, all I had to do was put the necks on the saxophones and put my stand together and roll.”

When it comes to music, “roll” is what Ken LeeGrand does—as an educator, instrumentalist, bandleader, griot and inspiration. Now 73, LeeGrand has been on the scene for so long, he essentially is the scene. So it makes perfect sense that during this weekend of homecomings and family reunions, his most enduring band, Horns And Things, will be featured at Ohio City’s Irishtown Bend Taproom.

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At CMA, Guitarist Dan Bruce Makes A Mixtape While You Listen

(clockwise from top left) Jinari Kemet, Liz Bullock, Ray Flanagan, Gretchen Pleuss

Though hip-hop artists have made it a genre unto itself, the mixtape, a homemade cassette of songs, was the Spotify playlist of the 1980s and ‘90s. Mixtapes were playable, tradable declarations of musical allegiances and taste, a medium of exchange and sometimes winsome mash notes to crushes, delivering their message at 1 7/8 ips.

True, it’s hard to imagine jazz nerds assembling cassettes of favorite Maynard Ferguson cuts to give to romantic objects (harder still to imagine they had such objects). Still guitarist Dan Bruce liked the concept so much that he’s making a mixtape live and on stage by arranging songs performed by Liz Bullock, Ray Flanagan, Jinari Kemet and Gretchen Pleuss with an a-list jazz ensemble.

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All Is Sound In Ben Tweedt’s Tribute To Hermeto Pascoal

When the protean Brazilian producer/arranger/composer/instrumentalist Hermeto Pascoal died in September at age 89, obituary writers were challenged to find someone to compare him to (maybe Prince came closest). Hermeto, as he was invariably known, summed up his musical philosophy as tudo é som, “all is sound.” No wonder his nickname was o Bruxo, the Sorcerer.

As a student at the Cincinnati College-Conservatory of Music, pianist Ben Tweedt came under Hermeto’s spell, an enchantment that inspired an evening of the master’s compositions at BOP STOP Saturday evening.

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Stephen Philip Harvey Is A Music Meister of the Multiversal

Stephen Philip Harvey is a composer, arranger, instrumentalist, label executive, educator and beginning several months ago, a radio host—a kind of superhero of music. He’s also a fan of superhero comics. So when I spoke with him recently, I asked him which superhero he most identifies with.

“There was this villain that was played by Neil Patrick Harris on ‘Batman: The Brave and the Bold,’” Harvey said from his office at the radio station. “His name was the Music Meister.” That character used the power of music to achieve world domination.

While Harvey acknowledged that, “that would be a cool power. I’d love that,” his superpower is bringing people together through music, which is what he will do Friday night at BOP STOP and Saturday at BLU Jazz+ when his Stephen Philip Harvey Jazz Orchestra celebrates the release of its latest album Multiversal: Live at BOP STOP.

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